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SK: How does doing the show affect your work on the stuff for Comedy

Central's "South Park" Web site?

TP: It's weird -- doing the show is so time consuming that we'll just get on there

to make sure they're not doing anything completely different. But with all the

merchandising and the Internet stuff, and the books that they're trying to do now,

Matt and I are trying not to get too caught up with it, because doing the show is

such a chore, that's really what we're focusing on.

SK: Have you seen the Palace chat site where you can go on as the little

"South Park" characters?

TP: I actually just did it a week ago. People told me, "You've gotta get on,

you've got to see what it's like." And I got on and I couldn't believe it. But my

username was "treyparker," so I kept going into rooms, and people were just

like, "Yeah, you wish." And I'm trying to talk to people and no one would talk to

me because they thought I was being a jerk. (laughs)

SK: Really, no one believed you?

TP: No one believed me.

SK: There's really some strange characters in there. How do you feel

about that, the devotion of these people?

TP: It's very weird. It's weird too, because y'know when I was screwing around

in there, I would just start chatting with people, and saying, "What do you think

of the show?" And people were saying "What show?" There were tons of

people who hadn't even seen "South Park" who were just doing the Internet


SK: I guess they just drifted in there because it's one more Palace chat

room . . .

TP: There's still a lot of places in the country that don't get Comedy Central, so

these kids kind of know what they are, but not really. A lot of the people didn't

even really know what "South Park" was, and there they are in the world. It's

pretty funny.

SK: How about the fan sites? Do you ever take a look at any of that?

TP: Yeah, it's crazy. In early summer when we were first gearing up, when it

first got out that we were doing [a TV show], this friend of mine said, "Here,

dude, check it out -- there's a 'Spirit of Christmas' Web site." So we looked at it,

and we're like, "Wow, that's so weird." Then the whole thing went from, like,

two fan club sites to 600 of them. Now there's 600. It's so bizarre

SK: Do you remember the timing of that? When were you were picked

up by Comedy Central?

TP: That was almost a year and a half ago.

SK: As early as that?

TP: Yeah, we hadn't finished our test, the pilot, we were just finishing it this time

last year.

SK: But "Spirit of Christmas" was . . .

TP: That was the Christmas of '95.

SK: How about the sites devoted to the show? There's a lot of

commitment to solving what Kenny says in the theme song.

TP: There is. It's fun. In animation you can create so many little mysteries. And

right after the show started airing, we were reading stuff in the bulletin boards.

Its a great way for us to develop the show to people's liking. And we were

reading them, and people were like, "Did you notice that in episode 2, on the

cafeteria chalkboard it says that there's Salisbury steak for lunch, but did you

notice . . ." And we're going, "Dude, they pay this close attention?" So all of a

sudden there was all this new pressure. We were looking at shots and going,

"Oh, people are going to notice this, we'd better make it funny."

SK: So every single time anything like that comes up, now you have to

put a gag in there.

TP: Or we try to at least make it interesting, knowing that people are taping

them and watching them over and over for the little things like that. So we try to

put little things in all the time.

SK: Do you want to put people's minds to rest here, and just explain

what Kenny says in the theme song?

(.wav, 94K) TP: I can't because they'd make us take it off. (laughs) The

only way we can get away with it is that even Comedy Central doesn't know

what he's saying. If it got out, they'd say, "Oh no, you've got to change it."


SK: I haven't really seen any shows in this kind of style. I mean, I sort

of vaguely recognize Kenny, the background is pretty authentic. Is that

what it was like?

TP: Yeah, growing up. I was just reminded, I was back home for Thanksgiving .

. . and we got 2 feet of snow, and that's the way it was, when you were going to

school, you were just totally bundled up, always wearing your winter clothes,

your moon boots, y'know?

SK: That was you going to school, Stan and Kenny. But what's Cartman?

He's the fat kid in the class?

(.wav, 67K) TP: Yeah, he's just like the proverbial fat kid who everyone

picked on, but he still hung out all the time.

SK: What about his voice?

(.wav, 166K) TP: It just sort of came from...doing Stan's voice but adding

a lot of fat to it. (laughs)

SK: How about some of these other characters, the teacher and Mr.

Hat? Is he, as I suspect, the doll that they use in child abuse cases?

TP: Let's see . . .Mr. Hat I actually had in kindergarten. I had this teacher who

would just put Mr. Hat -- it really was Mr. Hat -- she would put it on her hand

and put a record on the record player, and that was your lesson for the day. She

would just sit there, and move her hand so that she didn't really have to teach.

Seriously, you just watched this puppet all day telling you whatever the lesson of

the day was -- insane. And I mixed that with this teacher I had in college in a

British lit class. That's who Garrison is based on.

It was a British lit class, so the first thing we were learning about was Beowulf.

And this is college level, and he would say things like, (.wav, 108K) "Well,

Beowulf is a big silly isn't he?" Big silly? What do you mean by that? And he

was kinda gay, y'know, he was always bringing out the gayness in Chaucer and

everything. It was hysterical.

SK: And the other characters, are they sort of from childhood, the same

kind of thing?

TP: Yeah, they're partly that. But also, Matt and I in the seven or eight years

we've known each other, that's sort of what we've always done: create

characters. We start talking in voices because we realized we could both do a

lot of voices.

SK: And how do you go from saying, "Wouldn't it be cool to get Isaac

Hayes to play Chef?" to getting the impossible?

(.wav, 323K) TP: It was the same as when we said, "OK, dude, we've

kinda got a TV show now, we should ask our favorite band ever to do the theme

song. Why the hell not? So next thing we know, a week later, we're talking to

Primus on the phone, and just going, "Oh my God, dude!" and freaking out. It

was the same with Isaac. Well, we'd love to have Isaac Hayes. And next thing

we know, (they said) "All right, Isaac's going to do it. You guys need to fly to

New York and hang out with him."

SK: And how was that?

TP: Oh, it was great, it was awesome. I was totally nervous at first, we were

nobodies, and didn't totally know what we were doing. We thought we'd have to

go there and really convince this guy: "Oh this'll be fun, it'll be funny, we

promise." But he was just like, "Whatever, it's cool," and now he loves it. That's

one of the highlights of doing the show: We get to record Isaac and talk to him.

SK: What about celebs that you pick on? In anything like this you're

going to have a continuity, you'll pick on the same type of films, or the

same type of celebs, but so far . . . I mean Brian Boitano, first time out .

. .

TP: (laughs) We knew we didn't want to do what "The Simpsons" does, which

was like, "Oh, look who did a voice this week." And there they are being them,

and being glorified. You know say here's the celebrity, but let us (.wav,

56K) do their voices so we can kill them and rip on them and everything. That's

definitely the fun part. And now that the show's working, we're like, (.wav,

52K) "All right, now who do we really really hate, that we can really bury."

SK: Before you were talking about a couple people who were lining up,

who actually wanted to do it . . .

TP: Well, once (George) Clooney did it . . . now we just heard from Tom

Cruise's agent, who wants to do a voice. And Jerry Seinfeld wanted to do a

voice and (.wav, 221K) we told his agent we said, "That's cool, we want

Jerry to be a cat, and it's this cat that's really sick." And the manager didn't get

it, he was like, "Well, this is Jerry Seinfeld, he should have something really

substantial." (And we said), "No, that's it dude, that's what we do. George

Clooney was a gay dog, and Jay Leno's gonna be a little bird." If we really do

get a celebrity's voice, it's going to be totally minimal, because that's the joke.

SK: You're not going to get Jerry Seinfeld, are you?

TP: No, because we don't want, "Oh look here's this character by Jerry Seinfeld,

here's the 'Seinfeld' in 'South Park.'" We don't want to do that, so now we just

kind of rip on him. (laughs)

SK: In a way it's the same way that years ago, you were guessing who

was on "The Simpsons." That was their version of a guest star walk-on,

like Ida Lupino walking onto the "I Love Lucy" set. In a strange way

it's following on that tradition.

TP: Yeah, and then we do this little parody with Elton John in one scene, where

the elephant's trying to make love to the pig, and Elton comes out. And

(.wav, 119K) I am a huge Elton fan, I grew up with Elton, learned to play the

piano watching him...but I can still kinda rip on him. It was never really this

conscious thing. Except for one episode that's upcoming, where we were said,

"OK, we have to rip on this person." Other than that it's never a really

conscious decision

SK: How far ahead are you at the moment?

TP: Oh, we're like 2 or 3 days ahead. (laughs) Behind, I should say.

SK: I'm wondering about chat, and about communicating with some of

these people online. Are you up for any of that, do you think?

TP: Yeah, we could be. We just did our first sort of big public appearance. We

went to UCLA, and a bunch of the students came to meet the creators of

"South Park" and ask questions. And it was weird. We were ready for a bunch

of film students who wanted to know a lot of technical stuff, but they were all

questions like I'm sure an Internet thing would be. It was all: "Now in the

episode where Garrison says this, what exactly does he mean?" And we're like,

"Uhhhh, I don't know." They ask, "Where'd you come up with the idea for this,

or where'd you come up with the idea for that?" and rarely can you answer that

and say, "Oh, this came directly from this," because you just don't know.

Especially doing these episodes. It's not like doing a movie where you spend

years on a script. Now that the show is going, and more have been ordered,

Matt and I are cranking out scripts as fast as we humanly can. Where does it

come from? We don't know. A lot of times we'll watch shows and say, "Dude,

that's really twisted." We forget what we did on it.

SK: How about the Net? Is the Net going to make an appearance?

TP: Yeah, that's been a very popular spec script that we've gotten. A lot of the

writers that want to write for the show send us spec scripts where the boys get

on the Internet

SK: Gee, I wonder where they're going to look.

TP: Yeah, that's the thing, we don't want to do anything too obvious, we want to

figure out a way to make it really f---ed up, then we'll do it.

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